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▪ JT MONEY "RETURN OF THE B-IZER" ALBUM REVIEW

Reviewer: J Baby Rating: Click Here To Order This Album [an error occurred while processing this directive]   It's been a while since JT Money dropped his last album "Blood, Sweat, and Years".  Now the living legend of Florida is back with his new joint "Return of the B-izer", which is guaranteed to put all of his fans down with more game and something to rattle the trunk.     The first track is the intro, in which JT is introduced and Milton Malik Brown talks abouth the future of their JT's label, Crunk City Records.  Up next is "Come Clean", a track where the Money-man stresses that it is necessary for youn niggas to be as legit as possible.  The chorus goes "Come clean or don't come at all/Cause when u half-step that's where muthafuckers fall/Only one rule in this game when u ball/Come clean or don't come at all."  The track has a nice beat and as always JT delivers the lyrics to match.   Track number three, "You My Hoe", has that Miami feel that gave JT his fame back in the early 90's.  The chorus features the singing of label mate Kymistry, who I'm sure will be hearing alot of in the future.  A tight pimp track  that u can ride to.   "Why Cross 'Em" is track number four.  This track reminds me of Thrill Da Playa's diss to Ludacriss cause JT talks about the lack of honor the music industry has given him.  He raps "Every year they count the best fifty MC's/But not once have them coward niggas ever mentioned JT."  He goes on later in the song and spits "And I ain't got to rap about my diamonds and golds/Or the money I fold/Cause nigga that shit old."  Even if you're not a JT fan you can appreciate this song as he talks about the hatin' going on in rap.   The next track "Good Side of the Game" runs hand and hand with track number two, where JT speaks about living the good side of the game.  He also talks about jack boys plotting on what u got and how you gotta respect that.   Up next is one of my favorite tracks on the album.  "Run da Yard" is about how JT went  from serving fiends to jacking tourists.  He spits "I started touching tourist is my everyday thang/Making grands by the day, more than I did slangin' 'caine/now I'm back in the game/Started looking heavy/Had some grands in my pocket, some feet on da Chevy."  Smooth ass song that'll make non-smokers blaze up.   "Shure Shot Baby" has a very uptempo beat and reminds me of Tupac's "What's your Phone Number?"  Tight track that'll rock the club and get everyone moving.   "Chevy Game" is in my opinion the best Chevy song ever written.  If you own a clean ass Chevy this track is a must have.  The beat is definfitely rockin' and at the end of the second verse, JT breaks it down bottom-boy style with a deep bass line.  He spits "If you ain't tight before you pull out nigga back it up/Before a nigga ride by and make you pack it up."   "Booty Phone" is a funny interlude leading up to the next track "What yall Wanna Get."  In this track JT raps about his non-existing club full of nothin' but fine females and ballers that'll trick on them (obviously he gets the money).   Track number elevn is "Who's Fuckin' Yo Ho".  JT goes back to his old days on this talking about how a "Bitch gonna fuck who she wanna fuck."   I like this track, but I think the beat should have been a little faster.   Up next is "Get Yo Own Money."  This one is aimed at gold diggers and females trying to get a nigga cased up.  Every girl in the hood need to hear this song, I totally feel it.  JT also talks about how Uncle Sam runs everything inside the home after theman is sent to jail for child support.   "Cut You" is a track full of game.  JT raps "We can spin time fussin and cussin about nothin/Or we can spend time touching and lusting and straighjt fuckin."  Tight track.     "Boy Hush" is the track I like least on the cd.  It contains flossin' and is uncharacterisitic of Jt.  It favors Big Tymers "Oh Yeah" too much, and should have been left off the album.   The next track "Pimp Shit" is similar to "Cut You", but this one focuses on females listening to hear say and bringing it home to her man.   Basically telling all the drama queens to save it for a sucker.   "Shake Somethin" has that ATL get crunk feel to it.  A track to bounce to in your ride, the club, at the crib, or wherever. I liked this track and if you like to get crunk you will too.  Track seventeen, "Hood Thangs", speaks on scandalous and gossiping females.  This is another track where JT takes the listener   to the ghetto's everyday happenings.  Also one of my favorite tracks.   "Mama Dearest" is a track dedicated to his  mother.  It basically talks about benig young and broke in a big city.  Yall know how it is being broke when crime pays.  He also talks about how if he would've just listened he wouldn't of has to be in and out of prison.   Track nineteen, "What You See", is kind of a remix to Khia's "My neck, my back".  It features JT's label mate Mr. Niles who is out of the ATL.   Mr. Niles spits "Stop at Church's get a box of that bird/Check my track lil' nigga what's tha word/Got somn for me, did u flip that/That some syrup lil' nigga let me sip that/I'ma dip for a minute, i'ma get back/You ain't got that nigga you need to get that."  I hear this  track a lot in Florida and Georgia, it's still tight though.   Track twenty is an outro, where JT warns you to be on the look out for Crunk City Records in the near future.  This is a tight album and flirts with being a classic.   Though it didn't get much promotion, "Return of the B-izer" should finaly give JT the spot in The Source he deserves.

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